It’s always great to see jazz being spread throughout universities in Indonesia through music festivals. Mostly established yearly, some of those are strong enough to come regularly every year. Imagine the difficulties for the students to do this, since they still have to study, facing exams or tons of paperworks, but still they manage to bring music alive in their campuses as well as contributing big deals for our music scene in Indonesia. Last year we tasted the first installment of Espose in the size of a festival, featuring lots of top artists for about 8 hours straight. This year the Student Executive Board of Economic and Rural Development, Faculty of Economics from this university (HMA ESP FE UNPAD) has done it again. The Espose 2012 was served with the theme of Chain The Ethnicity Through Musicology.
This continued the last year’s program where ethnicity played a big deal too in its package. The difference is this: if last year they were focusing on West Java (Sundanese) culture, this time they went wider to reach Java and Bali. What’s interesting about Espose is their concept. We could feel assorted jazz flavors on stage, but the show itself are usually made wider than just that. A lot of other musical styles like blues, rock, soul and pop were all there too in accordance with our own ethno-musicology. So let’s take a look at the good point. When modern and traditional come hand in hand, you’ll find out how music can unite the diversities in harmony. Along with the development of music that supported by technological advances, Indonesia can actually keep maintaning its original identity. And we are certainly place that hope to the young people who are still steeped in idealism, creativity and dareness, most notably college students that can contribute so much in it. The smart heads behind Espose 2012 deserved big applause for making this event more than just a party. Other than serving one full pack of joyous entertainment, Espose 2012 has given an awareness of how we have to keep our own ethnical heritage alive at present and for future.

Challenging blues with a twist is the concept of Stone N Wood who started the whole fest at noon. Back in the auditions they poured out thick blues flavor in rockin’ motion with the sound of guitar distortion everywhere. They didn’t win the auditions, but the band arrived here at the main event by being the favorite band. They roared freely on stage just like how the blues should be played along with the cool harmonica sound.

The stage soon replaced by two bands that won the Band Auditions  for Espose 2012 which held last month, Jamithology and Helluva. While Jamithology brought enough groove in acoustic (including a nice cajon playing) to capture the hearts of the judges, Helluva made it by having a solid chemistry among players, good skills in playing jazz and also a lovely soulful voice of the singer, Fitri Aprilya. If in the auditions they only played two songs, this time they got longer duration to fill.

Jamithology was first on stage,this time with two vocalists. The group played Parkdrive’s “Biarkan”, Michael Jackson’s “Human Nature”, India Arie’s “Can I Walk With You” and Usher & Alicia Keys’ “My Boo” in sweet, catchy soul-coustic tunes that suited them very well. Helluva came right after, playing soulful songs including Alicia Keys’ “If I Ain’t Got You”, Jessie J’s “Domino”, “One Last Cry”, Beyonce’s “Love on Top” and one of their best cover, Marvin Gaye’s “What’s Going On”.  Both bands are still new, but they have enough talent to keep going. All they need is just being serious with the band. If they do that, it’s going to be just a matter of time before we see them in the higher state. Good luck and keep going guys!
  
Pop jazz was served well after that, courtesy of Titik Awal. This is not a new band since they were already established since 2006. Having said that, the band’s most recent formation consists of young player who are not only capable in playing neat on stage but also already have their own songs like “Berkarya” and “Hanya Sesaat”. Melvhin (vocal), Gama (guitar), Bobby (bass) and Dicky (drums) had landed at the Java Jazz Festival 2011 and played alongside Iwan Abdie. They also showed their cool acoustic side several times such as at the Sunday Jazz last year (May, 2011) and also at Jazzkustik Part 1 just two days ago at Potluck Kitchen. On stage they served an early party by singing “Rame-Rame”, Vina Panduwinata’s hit that brought popular again by Reza “Dia” and a new groovy arrangement of Hijau Daun’s hit.

Then Denis, one of the judges of Espose Band Audition appeared with his band, Juicy Luicy. This band came to its existance in 2010 started by Denis’ passion in playing songs from famous pop jazz groups with his guitar. Joy Under imagination and Creation of Youth is the basic concept held by the members and additionals who appeared full team, Denis Ligia (acoustic guitar), Julian Kaisar (vocal), Yanuar Ilmawan (bass), Rizky Parada (chunky guitar),  Dwi Nugroho (drums), Zam Zam (alto sax), Gilang (trombone), Ryan (tenor sax) and Putra (keyboard).  As how we saw them in several previous coverages, this time they delivered the easy listening/catchy groove on stage by playing their own songs “Selalu Ada Cinta”, “Mengerti  Cinta”, “Malam Indah” and a big hit from EWF “September”. Steadily having smooth journey with rising trend and based on their talents, we hope to see this band become big in this nation.

Balinese was then served on stage, opened by a group of Balinese dancer. Think of a band where you can enjoy the mystical Balinese gamelan sound while getting the jazz texture at the same time. Not only it appears in the exact portion and being true to each of the elements, but they could go hand in hand without any dominations. That’s what Tesla Manaf ft Mahagotra Ganesha is all about. Tesla (guitar) led his team including Jalu Rohanda (bass), Yopi D Navis (keys),  Dani Irjayana (drums), Mumu (sax) and a set of Balinese gamelan ensemble, Mahagotra Ganesha.

Tesla can be a role model for any young musicians in this recent time. His passion in playing music (guitar in his case) is too big to be stopped. He’s willing to do anything to keep himself playing, and while upgrading his skills by constant practice he’s been showing his eagerness to uphold the traditional ethnic musics. He’s found the peaceful playground by teaming up with Bandung Institute of Technology (ITB)’s Mahagotra Ganesha which has resulted one album with good acceptance in the market. (The album “It’s All Yours” is available at our online store: http://store.jazzuality.com/products/cd/tesla-mahagotra/). The album holds a storyline about preserving the environment in challenging compositions.

Participating in a music fest with ethnicity as the headline was of course perfect for this group. The cool, peaceful composition quickly turned to something mysterious in the second part, gloomy, the radiated Kecak chants all the way until the heart-wrenching melodies where silence and emptiness stood in the end. The appearance of the masked dancer Jauk Keras was supposed to give the audience something they didn’t often see in the music fest, but due to the duration sadly they had to pospone his appearance. For the last part of the song, they gave us some kind of positivity, encouraging us that it’s not too late to safe the environment. Inspiring, creatively challenging and rich in colorful tones, that’s what we got from Tesla Manaf ft Mahagotra Ganesha’s session. How nice it was to have something more than just entertainment as they really heated up the show with their winning concept.

The Trees and the Wild simply stands as one of the frontrunners in the independent scene. Having blues and acoustic as their background, this group started to write their own songs in 2006 as well as establishing a strong base for their journey. What they play on stage is often surprising, because they love to go in wide and elastic dimension. We can listen to post rock a la Sigur Ros, vocal accent like John Mayer, the glorious Arcade Fire‘s art rock and the honesty, simplicity of indie folk from groups like Kings of Convenience, the classic style of the Eagles, even some traditional/ethnical patterns inside their music. Having this much variety makes them able to capture the hearts of music listeners no matter what the musical background is, not only in Indonesia but also out there especially in South East Asia.

From the three founders now they are down into two. Remedy waloni and Andra Budi Kurniawan are still holding on in the group. Interestingly they bring more players now and shape themselves as a full band. Iinnu, Tyo and Tamy are the new members of The Trees and The Wild, but actually they are not new for the Remedy and Andra since they have been playing together for no less than 3 years. Usually when a group got reformed we could expect something fresh from them, both musically and conceptually. As they are preparing the next album, let’s hope to have it all from the new version of The Trees and the Wild.
Put it simple, The Trees and the Wild’s music style certainly fits the Espose concept. Multi-colored, has an ethnical nuance and suits the youngsters’ ears. It was a good pick to have The Trees and the Wild for this year’s edition. The crowds loved it, so did we.

Blues was back in full right after. Imagine when a rockin’ blues group can reach their fame not just in their main land but also internationally. Europe, particularly in England has become their second performing ground. Expertise of every personnel deserve to be seen abroad. Last year they won the Hard Rock’s Global Battle of the Bands competition that placed them on the same stage with Bon Jovi and Rod Stewart. Yes, that’s the case of Gugun Blues Shelter. When you listen to their music, you can exactly understand how they could do that. The amount of funkin’, rockin’ blues venom they inject in every show is more than enough to stun you out of senses and put you in the blues-lag condition for days. What’s unique is that they have been participated often in jazz fests too and never failed to add more colors into the party.

Seducing rock path in blues were served chilled by them right after The Trees and The Wild show. Gugun (guitar), Jono (bass) and Bowie (drums) had all the fun on stage. Right after the first two songs, “Satu Untuk Berbagi” and “Ikuti Langkah” they blasted the crowds with high energetic “Basa Basi”. They carried on with “Jangan Berkata Dalam  Hati”, “White Dog”, “Vixen Eyes”, “Trampled Rose”, “Solid Ground” and then their hits “Turn It On” and “Soul on Fire”. 3 albums were made and more to come. With a very rock-solid team as this and strong musical concept, Gugun Blues Shelter will keep on flying higher and higher in the music scene. Indonesia should be proud of having them. Long live the blues, Long live Gugun Blues Shelter!

Then it was time for the modern day crooner Muhammad Tulus to take over the stage. This man is blessed with such vocal quality that could remind us of Buble, Sinatra or even our own legend Broery Marantika but what’s good is he knows how to use it to approach the current trend. Mixture of pop jazz, soul, presenting it occasionally with some touches of broadway or simply put it in acoustic are proved to be the exact formula to hit the spot. Making the songs easy to listen and to sing, writing smart, meaningful lyrics about our daily life are also his major strengths. His single “Sewindu” became an instant hit in every major radio stations and now his next single “Teman Hidup” is doing very well too in charts. With thousands copies of the debut album being sold in just 2-3 months, Tulus is one of the fastest rising star today. From Tulus we can also learn that the independent (indie) road can lead you to success too.

Having his friends backing him including Sindhu Banyusekti (bass), Topan Abimanyu and Ferry Nurhayat (guitars), Arifandi ‘Ari Aru’ Renaldi (drums), Yonathan Godjali (keys) and Lukman Hakim (backing vocal)  Tulus made his fans happy with songs that they’ve known so well.

The crowds popped when Tulus appeared and directly started with “Teman Pesta” followed by “Diorama” and “Kisah Sebentar”. Right after covering Float’s song “Sementara”, surprisingly Mahagotra Ganesha came up and joined them on “Tuan Nona Kesepian, giving up such a different atmosphere while still rooted in swing. The new single “Teman Hidup” blew the crowds away and finally closed it with his monster hit “Sewindu” firstly served chilled in acoustic before he delivered the full band version. You should see how the audience responsed to this song, it was simply amazing.

Many of the audience seemed to have his album already as they all sang along in almost every song. We are happy to see where he’s standing today, and we won’t be surprised if he goes even higher in the near future. As one of the latest strong evidences of his success, he will soon land on Gedung Kesenian Jakarta for a concert called “Beyond Sincere” (May 25th, 2012). “We’re going to play at the GKJ to bring awareness to the youngsters, making them realize that Jakarta has such a beautiful building like this which has been commited to art and culture for a very long time.” he said. Keep it up, Tulus and friends! Keep writing smart lyrics, serving it in nice melodious tunes and sing them the way you do. The best is yet to come!

Rock fans are well kept by Irfan Fahri Lazuardy, better known as Ipang. He’s famous as the vocalist of BIP, the group he joined in 2004. His rebellious stage acts are usually attractive to see, not only in rock scene but also jazz, like when he surprisingly participated in Urban Jazz Crossover 2010′s 5 cities tour.

Here at the Espose 2012 we got another encounter with the rock n roll man. He sang songs such as “Partner in Crime”, “Akhirnya Jatuh Cinta”, “Saat Seperti Ini”, “Hey”, “Tanpa Kau” and “Cinta Baru” before delivering his big hit with the gamelan ensemble, “Sahabat Kecil”.  It was a nice surprise since this time Ipang was joined by the Mahagotra Ganesha to deliver rock vigor with ethnical Balinese ambience, something that we don’t see often. Ipang wrapped the whole show with “Ada Yang Hilang” and “Gak Ada Takutnya”. Giving a whole different nuance for Espose 2012, Ipang and the band locked all the youngsters with his rebelious but cool stage act.

People who idolized acid jazz got their vibes when The Groove took over the stage several minutes before 10:00 pm.  Just like the name, their tunes never fail to groove our bodies whatever the condition is. Since it was started in 1997, The Groove has become a major force in the Indonesian music scene. Their tasty blend of groovy disco, pop, soul, funk and R&B wrapped in jazz, great vocals and nice stage act are all the key factor for their success. Lots of unforgettable hits made them still acceptable for the younger listeners as well as pleasuring their long time fans even when they went hiatus for several years. Having Rieka Roslan, the lady with lovely soulful voice who wrote many of the songs when she was still in college is certainly a blessing too for this group. For 15 years The Groove have keep on serving catchy tracks, never run out of ideas and we definitely look forward to see them for many more years to come.

Reza, Rieka Roslan, Rejoz were all there along with horn section on the left side. The audience were happily danced and sang along with them when the well-known hits were brought, including  “Biarkan”, “Let’s Go (Reunian)”, “Hanya Karena Cinta”, “Dahulu” and “Khayalan”. All these songs are famous to the crowds, so they all sang together in each and every song along with the band.

Call it The Groove Reunion or just simply The Groove like before, whatever they bring on stage, they’d always be enjoyable to watch. We are happy to see The Groove landed in Unpad for Espose 2012. The band’s not young anymore, but they are still young at hearts. For that, we know that they can still paint more colors into our music, and we are waiting to see more of them.

Finally we came to the last act, Maliq & d’Essentials. This band is still standing on the top list of the most favorable lists in any music festivals in this country. Some personnel have been changed over the year, but that only mean one thing, that is to encourage their music to be more mature in keeping their existance better than ever. Serving their music in  R&B, soul, jazz, pop and the combinations, all shows how wide their musical range actually is. They don’t want to draw boundaries to any type of music, because the spirit of each song is more important for them. Yet they still know how to fit it into the youngsters’ hearts. Since the first appearance in 2005 that basically rooted in between nu soul and acid jazz pattern, Maliq & d’Essentials has always been altering their style of music on each album without removing their basic color.

One last blast served grand by them. All the popular hits such as “Luluh”, “Kangen”, “Terdiam”, “Penasaran”, “Coba Katakan”, “Untitled”, “Menari”, “Dia”, “Funk Flow”, “Free Your Mind”, “Terlalu”, “Heaven”, and finally “Pilihanku” as the closing tune. Having such a popular group with great stage act like this resulted one hot party. With them constantly being a favorable list for any music fests in this country, we’re sure to see them again soon

http://jazzuality.com/jazz-event-report/espose-2012-the-report/

Categories:

Leave a Reply